Author: Igor Đukić Minimalistic stage design with chairs and a red curtain - more would be too much for the precisely choreographed gracious dance of protagonists - and the selection of fairy-sounding background music only amplifies the pleasure for the viewer (at least for me) pervade...
Chinaman, GK Podgorica and Kotor Art Festival Catharsis in theatre which loves and hurts By Maja Mrđenović Pobjeda, 5th July, 2014 Anja Suša’s performance is set in the contemporary local context of social turbulences; traumatic transition; degrading and devastating influence of dominant cultural models, omnipresent violence and empty neoliberal...
By Nenad Obradović E-novine, June, 2012 The picture book about Maja, a feeble echo of our past, offers, through the performance Maja and I and Maja, an incentive for further reflection on the culture of memory but also of the present moment which is dominated by carelessness...
By Ana Tasić Politika In terms of idea, the performance directed by Anja Suša, is based on the contradictions and conflict between myth and reality, between an idealized and a realistic reflexion of the world, between nostalgic and sentimental heritage, and the painful reality of family violence,...
Theatre review: MAJA AND I AND MAJA By Goran Cvetković 30th June, 2012 MAJA AND I AND MAJA – based on the novel by Sreten Ugričić and a series of picture books by Marcel Marlier and Gilbert Delahaye – the text of the performance is written by Milan...
MAJA AND I AND MAJA, Bitef Theatre and De Facto SURREAL PICTURE BOOK Novosti By Bojan Munjin The performance Maja and I and Maja balances the fine line between childlike innocence, represented by actors dancing in red dresses and white shoes, and the bouts of social fever, existential nonsense,...