11th January, 2010 YC review, Spring Awakening: From High Camp to Melodrama Even 120 years since its creation, the play Spring Awakening has not lost any of its importance. Painful transition from childhood to adolescence, sudden awakening of senses and the dispersion of numerous illusions are as...
Spring Awakening, Frank Wedekind/Anja Suša, “Duško Radović” Little Theatre The performance Spring Awakening, directed by Anja Suša (adapted by Irena Kraus) is a modernized, poetical and engaged staging of an infinitely inspiring expressionistic text by Frank Wedekind (written in 1891), a mosaic play about the process...
By Ivan Medenica Andrej Hieng, Burlesque about the Greek Directed by Anja Suša; Cast: Nebojša Dugalić, Ivan Tomić, Anđelika Simić; Madlenianum (Bel étage) The second performance played on a new Belgrade stage – “Bel étage” stage in the Opera and Theatre Madlenianum – has definitely confirmed the existence...
Novi List 20th November, 2011 By Nataša Govedić The authors of an inspiring and playful text – Saša Božić and Dora Ruždnjak Podolski – received a magnificent support though the actors of Trešnja theatre and directress Anja Suša, who helped transform the text written casually in the form...
Theatre review Tportal.hr RENT-A-FRIEND – an excellent teenage performance By Igor Ružić 16th November, 2011 The biggest value of this performance is that it neither preaches nor focuses on just one problem, which is why it really is theatre and not a mere chat room turned into a performance, or...
THE TAMING OF THE SHREW, MESTNO GLEDALIŠČE LJUBLJANSKO Regional Theatre-Makers Corrected Shakespeare Igor Ružić T Portal, 17th February, 2014 The directress, together with the management of the Ljubljana Theatre which has genuinely flourished in the past couple of seasons, thought that now was the right time for staging The...
Vesna Jurca Tadel 14. 03. 2013 An unconventional approach of the young Serbian director Anja Susa (for the first time on Slovenian stages) and overall enjoyable playful male ensemble cast is clear from the moment the red stage curtain opens: facts show that this Shakespeare’s comedy is...
Author: Igor Đukić Minimalistic stage design with chairs and a red curtain - more would be too much for the precisely choreographed gracious dance of protagonists - and the selection of fairy-sounding background music only amplifies the pleasure for the viewer (at least for me) pervade...
Chinaman, GK Podgorica and Kotor Art Festival Catharsis in theatre which loves and hurts By Maja Mrđenović Pobjeda, 5th July, 2014 Anja Suša’s performance is set in the contemporary local context of social turbulences; traumatic transition; degrading and devastating influence of dominant cultural models, omnipresent violence and empty neoliberal...
By Nenad Obradović E-novine, June, 2012 The picture book about Maja, a feeble echo of our past, offers, through the performance Maja and I and Maja, an incentive for further reflection on the culture of memory but also of the present moment which is dominated by carelessness...